[168] According to Encyclopædia Britannica, the actress is famous "for her beauty and air of vulnerability". [21] After her marriage to Horton, Pfeiffer had a three-year relationship with actor/producer Fisher Stevens. [48] On this distinction, Pfeiffer said she has always felt inclined to play a wide variety of characters, even during the early stages of her career when her options were limited. [18] With only a few television roles and small film appearances, the 23-year-old Pfeiffer was an unknown actress when she attended the casting call audition for the role, but according to director Patricia Birch, she won the part because she "has a quirky quality you don't expect". List your movie, TV & celebrity picks. [10] Other roles on television series followed, including Delta House, CHiPs, Enos and B.A.D. Pfeiffer has established herself as one of Hollywood's most bankable stars, with 15 of her films grossing at least $100 million at the box office. "[232] Pfeiffer is also mentioned in Mark Ronson and Bruno Mars's 2014 song, "Uptown Funk" ("This hit, That ice cold, Michelle Pfeiffer, That white gold"). The divine apparition is Elvira Hancock, played by the very young Michelle Pfeiffer.The blond bombshell attracts the attention of all three men, and Tony Montana - like the viewer - only has eyes for her. In the Hitchcockian thriller What Lies Beneath (2000), Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past. [167] Instead, she credits director Milton Katselas with teaching her the difference between how an actor thinks a character would behave during a particular scene, and how the actor themself would behave during the same scene. The film, also starring Halle Berry, Jessica Biel, Robert De Niro, Josh Duhamel, Zac Efron, Sarah Jessica Parker, and Sofía Vergara, among many others, saw her take on the supporting role of Ingrid Withers, an overwhelmed secretary befriending a deliveryman (Efron). She continued to draw praise for her performances in the dramas The Age of Innocence (1993) and White Oleander (2002), and the horrors Wolf (1994) and What Lies Beneath (2000), while producing several successful films under her production company Via Rosa Productions. He said, "She comes back to her apartment after being thrown out the window by Christopher Walken and she goes mental. Filmed before Hairspray, the film premiered three weeks afterwards; it garnered largely positive reviews but, budgeted at US$70 million, it made a modest US$135.5 million globally. There's a gravity to Pfeiffer's performance that allows her to succeed where the other main actors fail, save for brief spurts — she straddles the boundaries between embodying a symbol and granting the character enough interiority to feel like a flesh and blood woman, too. [175] Her acting ability continues to draw praise from directors with whom she has worked;[179] Martin Scorsese described Pfeiffer as "an actress who could portray inner conflict with her eyes and face better than any other film star of her generation",[168] while Jonathan Demme declared "It's hard for me to imagine anyone who, on a level of quality, would have an edge on her. polarized viewers and prompted mass walkouts, the film was better received by critics. "[114] The film grossed US$78.4 million worldwide. [208] According to several plastic surgeons, Pfeiffer possesses some of the most sought-after and requested celebrity features. On December 11, 2017, it was announced that she had received a 2018 Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film nomination for the role. [48] By 2016, Salon's Charles Taylor declared that no actor of the past decade had rivaled Pfeiffer in terms of versatility. They get romanced, but are not overtly romantic. For the role of Angela de Marco, she donned a curly brunette wig and a Brooklyn accent,[5] and received her first Golden Globe Award nomination as Best Actress in a Motion Picture Musical or Comedy, beginning a six-year streak of consecutive Best Actress nominations at the Golden Globes. Labeled a sex symbol, Pfeiffer has been cited among the world's most beautiful women by various media outlets, with her physical appearance being heavily discussed in the media since the beginning of her career. [22] Pfeiffer received positive reviews for her supporting turn; Richard Corliss of Time Magazine wrote, "most of the large cast is fine: Michelle Pfeiffer is better ..."[23] while Dominick Dunne, in an article for Vanity Fair titled "Blonde Ambition", wrote, "[s]he is on the verge of stardom. Views: 205 | in last week 3. She achieved further success in the fantasy The Witches of Eastwick (1987) and the comedy Married to the Mob (1988), for which she was nominated for her first of six consecutive Golden Globe Awards. The film was called Original Sin (2001). And Michelle Pfeiffer overcomes Batman Returns' heavy-handed feminist dialogue to deliver a growling, fierce performance. Her performances in Dangerous Liaisons (1988) and The Fabulous Baker Boys (1989) earned her two consecutive Academy Award nominations, for Best Supporting Actress and Best Actress, respectively; she won widespread acclaim and the Golden Globe Award for Best Actress in a Motion Picture – Drama for her portrayal of lounge singer Susie Diamond in the latter. For her efforts, she was rewarded with a Golden Globe nomination for Best Performance by an Actress in a Motion Picture – Drama. I have a lot more to do, and a lot more to say. One of the most prolific actresses of the 1980s and 1990s, her accolades include a Golden Globe Award and a British Academy Film Award, as well as nominations for three Academy Awards and one Primetime Emmy Award. The mystery–drama ensemble film follows world-renowned detective Hercule Poirot, who seeks to solve a murder on the famous European train in the 1930s. Huge collection, amazing choice, 100+ million high quality, affordable RF and RM images. Which female gave the greatest performance in a Mike Nichols film? [168] Vulture.com's Angelica Jade Bastién described Pfeiffer as "an actress of such depth, breadth, and tenacity" that "she obliterates the argument that an untrained actor has less capability than her trained counterparts. Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header. [247], In 1993, Pfeiffer married television writer and producer David E. "[33] She won the BAFTA Award for Best Actress in a Supporting Role[34] and received a nomination for the Academy Award for Best Supporting Actress. Welcome to r/OldSchoolCelebs. Michelle Pfeiffer is one of the most popular actresses of the 1980s and 1990s, she has received international acclaim and many accolades for her work in both comedic and dramatic films. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material."[77]. "[235] Hip hop vocalist Mahawam released the song "Michelle Pfeiffer" in 2019. Tell Your Friends. "[168] Pfeiffer has referred to acting as a "sadomasochistic" profession due to how "brutal" she finds the process at times. "[171] During the 1980s, Pfeiffer typically played smart, funny, sexually attractive and strong female characters. I gave them an enormous amount of money.". [185][186][187][174] Novelist Steve Erickson wrote that Pfeiffer had already threatened to become one of her generation's finest American actresses by her thirties. I'm never going to be one that retires. She finally scored a major box-office hit as Sukie Ridgemont in the 1987 adaptation of John Updike's novel The Witches of Eastwick, with Jack Nicholson, Cher, and Susan Sarandon. 643 | Triller Inklusive Pfeifenband zum Umhängen (No. Pfeiffer took the part of the Soviet book editor Katya Orlova in the 1990 film adaptation of John le Carré's The Russia House, with Sean Connery, a role that required her to adopt a Russian accent. [55] Also in 1993, she was awarded the Women in Film Los Angeles' Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry. [179] At least two of Pfeiffer's films, Stardust (2007) and Chéri (2009), explore themes of beautiful, youth-obsessed women struggling to accept aging,[228] with which Pfeiffer personally identified. 4 Stars & Up & Up; 3 Stars & Up & Up; 2 Stars & Up & Up; 1 Star & Up & Up; Film & TV Genre. "[76] Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. [56], Following the formation of her producing company in 1990, Pfeiffer saw a growing professional expansion as a producer. [21] The film was considered excessively violent by most critics, but became a commercial hit and gained a large cult following in subsequent years. [206] Despite her popularity, Krizanovich dubbed Pfeiffer Hollywood's most underrated actress. ;D . and mystery Murder on the Orient Express, while receiving her first Emmy Award nomination for portraying Ruth Madoff in the biopic The Wizard of Lies. Much of her money went to the group. While Mother! For the role of Catwoman, she trained in martial arts and kickboxing. List Activity. Kate was the Production Coordinator on the film and became close with Pfeiffer over the course of the shoot. your own Pins on Pinterest [132], In Darren Aronofsky's psychological horror film Mother! Pfeiffer made her acting debut in 1978, in a one-episode appearance of Fantasy Island. [120][121] In the independent drama Where Is Kyra?, she starred as a sensitive and fragile woman who loses her mother and "faces a crisis in which she must find a means for survival, all the while hiding her struggles from her new lover". Cats. [141] Pfeiffer sang the song "Never Forget", which plays over the film's closing credits and appears on the film's official soundtrack. [176] Pfeiffer has said she prefers dramatic over comedic roles, citing the latter as more challenging "because you have the added pressure to be funny as well as being real ... I’m only ever as funny as the writing is — and sometimes not even that funny. Pfeiffer has received universal critical acclaim for the role, and her performance is consistently referred to as the greatest portrayal of Catwoman of all time by critics and fans,[48] and is also one of the best regarded performances of her career. [99] She next starred in Personal Effects (2009), with Ashton Kutcher, playing two grieving people coping with the pain and frustration of their loss whose bond spawns an unlikely romance.
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