When Carpenter met fellow composer/sound designer Alan Howarth, it marked new diversity in the filmmaker’s sonic aesthetic. It's hard to talk about the musician John Carpenter without forgeting his films. Given that the score for this sci-fi/horror classic is officially credited to great Italian composer Ennio Morricone, I couldn’t technically include it on this list. Tracks are listed sequentially on rear sleeve. Regardless, he’s influenced just as many musicians as he has filmmakers. John Howard Carpenter (born January 16, 1948) is an American film director, producer, actor, screenwriter, and composer. Tell us in the comments. I really think Season of the Witch is an amazing score. listen John Howard Carpenter (born January 16, 1948) is an American film director, screenwriter, producer, editor, and composer.Although Carpenter has worked in numerous film genres, he's most commonly associated with horror and science fiction films from the 70s and 80s.He particularly achieved international success with the thriller movies 'Halloween' (1978) and 'Escape from New York' (1981). 2 tracks (12:45). The movie was so-so, but it’s one of his best scores! Turning the Bones 9. 4) CHRISTINE. …Also, too bad he didn’t get to do one of the chapters for Creepshow: King+Romero+Carpenter, yikes…. Dripping Blood 4. Glad you liked the piece! Carpenter, JohnThe End℗ 1980 ZYX MusicReleased on: 1980-01-01Auto-generated by YouTube. Afrika bambaataa - Bambaataa's Theme, Bomb The Bass - Megablast, Together - Hardcore Uproar, Awesome 3 - Hard Up and many more great track use The End sample. What’s left is a minimalistic piece that has all the quintessential thudding synth bass and staccato crossfire that marks the Carpenter sound. Account & Lists Account Returns & Orders. Skeleton 8. But the most striking reminder of Carpenter’s versatility as a musician can likely be found in his on-going series of … The staccato synth-plod title theme, the eerie ambulatory Orientation # 2, the nightmarish The Crazies Come Out, and the cowbell stomp of  The Duke Arrives/The Barricade, all encapsulate the nocturnal dystopia that anti-hero Snake Plissken must endure to save the president from the seedy NYC prison state, and survive in the process. I never really thought of the similarities between Christine score and The Fog but now that you mention it I think I could suss out the parallels. I never associated the Christine music to be so similar to The Fog until I just sat and listened… Carpenter weaves an amazing tapestry of suspense in his simplistic style. Carpenter was born on January 16, 1948 in Carthage, New York, the son of Milton Jean (née Carter) and Howard Ralph Carpenter, a music professor. They are great remixes with some fantastic beats / rhythm / dance feel to them ^^. Vollständige Liste unter smellslikeinfinitesadness.com anzeigen They Live - Expanded Original Motion Picture Soundtrack 20th Anniversary Edition by John Carpenter Audio CD $12.00 Ships from and sold by Amazon.com. 3) THE WARRIORS. Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Donald Pleasence and Jamie Lee Curtis in her film debut. Vampire's Touch 6. Glad you enjoyed. Lost Themes II: Distant Dream - Lost Themes II: Angel's Asylum - Lost Themes: Vortex - Lost Themes: Night - Halloween: Halloween Theme – Main Title - Forever self-deprecating, he’s downplayed his genius saying he did his own scores because he was fast and cheap, but that unfairly dismisses his unmistakable artistry. But Halloween III: Season of the Witch, remains an underrated score for an equally underrated film. Halloween II would be the first, where he simply took the original score, and replaced the piano parts with an organ synthesizer. View all posts by SLIS, […] collaborators. His simple compositions gained more textural complexity, and he also began scoring for the screen, no longer shoehorning pre-recorded tracks. There are also moments of quieter horror: Hello Grandma, Local Boy No Way, as well as unrelenting aural panic attacks like First Chase and Challis Escapes. It also analyzes reviews to verify trustworthiness. Music Composed and Performed by John Carpenter Recording Engineer – Peter Bergren Synthesizer Programming – Dan Wyman Stereo Remix Engineer – Alan Howarth Mixed at Pi West Studios, Glendale, CA Record Label: Columbia Release Date: August, 1979 Feel compelled to make your own list of your favorite scores? FREE Shipping on orders over $25.00 . The End - Single John Carpenter Dance 1999; Listen on ... ℗ 2008 ZYX Music; Also Available in iTunes More By John Carpenter See All. Big Trouble in Little China has a better soundtrack than any you listed. Lost Themes III: Alive After Death by John Carpenter, released 05 February 2021 1. Audio CD, Single, Import, December 1, 1992. To be clear these tracks are not pulled from the original soundtracks or performed by John Carpenter but are covers or at least interpretations by German electro band 'The Splash Band'. Good article and list. Bei den Bonus Tracks handelt es sich um die ultrararen Maxi-Versionen vom Philadelphia Experiment, Christine, The End, Die Klapperschlange, Starman und Big Trouble In Little China. Alive After Death 2. Please try again. It is important to stress that his music is never primarily thought as listening material on its … Skip to main content.us. Carpenter, John - End - Amazon.com Music. – Smells Like Infinite Sadness […], Great list. Other scores worth a listen: Big Trouble In Little China, Halloween II, They Live. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Music Composed and Performed by John Carpenter Recording Engineer – Peter Bergren Synthesizer Programming – Dan Wyman Stereo Remix Engineer – Alan Howarth Mixed at Pi West Studios, Glendale, CA Record Label: Columbia Release Date: August, 1979 Brief content visible, double tap to read full content. Full content visible, double tap to read brief content. A friend told me I should revisit the movie and that’s when I really appreciated it. Agree? Platten wenig bespielt, Cover in einem dem Alter entsprechenden guten Zustand, ein echtes Muss für Fans. Sorry, your blog cannot share posts by email. It will be very interesting when his Anthology album comes out next month with new versions of his classic scores. A score so iconic that it instantly brings to mind images of Jamie Lee Curtis fleeing from a masked psychopath. Middle Aged Gen-Exer obsessed with Alternative rock, metal, cult movies, comic books and cable TV. John Carpenter's electro scores are relatively simplistic and repetetive; they are also surprisingly catchy and once heard difficult to dismiss from the mental player. Post was not sent - check your email addresses! Countless electronic music enthusiasts were influenced by Carpenter’s supremely ominous score for his first theatrical release, Assault on Precinct 13. A. And you can pre-order John Carpenter’s new release Lost Themes via the link below. This list may not reflect recent changes . He and his family relocated to Bowling Green, Kentucky during 1953. 7 Best John Carpenter Soundtracks: in anticipation of Carpenter’s new album ‘Lost Themes’, we take a look back at his most iconic synth-laden film scores. Finally available again as a 12 “maxi single! One of the best shows ever. So that wraps up our list of the 7 best John Carpenter Soundtracks. listen John Carpenter has been responsible for much of the horror genre’s most striking soundtrack work in the fifteen movies he’s both directed and scored. I will also say that if I was doing this list now I would add his recent Halloween score to top 5. In honor of his upcoming album, let’s take a look back on his cinematic soundtracks that have made him beloved to fans of horror, sci-fi and of electronic music in general. That being said, the score is top-notch, with a catchy-yet-creepy main theme that comes on fast and furious in the track Moochie’s Death, and slow and tortuous in the track Buddy’s Death. Christine is the most workmanlike Carpenter film. I’m just glad he’s now being recognized as both an incredible influence stylistically both from B movie filmmaking to synth composition. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Hi Jeremy! Please try again. I got to see Carpenter perform in Austin this year and I was so excited that he played The Thing theme. Personally I consider Escape his best since I think it has the most diversity and range, but I love all his work. Listen free to John Carpenter – The End (The End (Part 1: John Anthony Scratch Mix From The John Carpenter-Film "The End"), The End (Part 2: Remix From The John Carpenter-Film "The End")). There’s more to the score than the title theme though: Laurie’s Theme is a wonderful bit of somber creepiness, and The Shape Lurks/Stalks is simply chilling, where a simple two-note piano figure marries to cheese grater percussion that perfectly approximates a lumbering Michael Myers endlessly fixated on killing his sister. John Howard Carpenter (born January 16, 1948) is an American film director, screenwriter, producer, editor, and composer.Although Carpenter has worked in numerous film genres, he's most commonly associated with horror and science fiction films from the 70s and 80s.He particularly achieved international success with the thriller movies 'Halloween' (1978) and 'Escape from New York' (1981). I would even differentiate between his theme music and scores, with his best full scores being The Fog and Prince of Darkness, while the best themes, Halloween and Escape From New York. I disagree with about the that movie being underrated, but I am willing to delve a little deeper into the score. So there. 1′ Review | Smells Like Infinite Sadness. Carpenter, John - End - Amazon.com Music. Indeed, today’s synth artists like The Chromatics, Kavinsky, Mike Simonetti and Xander Harris, remain deeply indebted to his stylings. A. John Carpenter has the unique distinction of being one of the best directors and composers of the 70’s and 80’s. Big Trouble in Little China (soundtrack) Body Bags (soundtrack) C. Very interesting piece, I am going to go back and review Halloween III based on your review here. There was an error retrieving your Wish Lists. John Carpenter - The End (John Anthony scratch rmx). John Carpenter has the unique distinction of being one of the best directors and composers of the 70’s and 80’s. One could really argue that The Thing OST is truly Carpenter’s since Morricone essentially just mimicked his sound. Early life. The genius of the main Halloween theme is its 5/4 odd time signature, (which Carpenter originally learned to play on bongos) transposed to haunting piano. 1: The End (Part 1: John Anthony Scratch Mix From The John Carpenter-Film "The End") Composed by John Carpenter and Kinks guitarist Dave Davies, this score is a dark and suspenseful electronic score mixed with live instruments. It’s an unrelenting ear worm that causes your hair to stand on end with minimal effort. 1: The End (Part 1: John Anthony Scratch Mix From The John Carpenter-Film "The End") Auf dieser CD befindet sich das 1984 erschiene Album The Music Of John Carpenter , sowie 6 Bonus Tracks. I prefer vintage synth sounds, but I’m curious what all it will entail. Add in some gothic chill (The Rape) and the sorrowful Junkins and you end up with a score stronger then the film it was made for. Weeping Ghost 3. The title theme feels futuristic with its inventive ferris wheel electronic drums and a death-march keyboard melody, all augmented with a ghostly, warbly wail. The Stephen King adaptation felt like a hired hand assignment. Trepanate yourself, […] John Carpenter has the unique distinction of being one of the best directors and composers of the 70’s and 80’s. The Definitive Manifesto for Handling Haters is a prime example, which sounds like a soundtrack collage of  70’s cop theme and 90’s coming-of-age tale, laced with Brad […]. Help others learn more about this product by uploading a video! Not as good as i had expected but overall happy with product and seller!! The soundtrack to filmmaker John Carpenter’s landmark sci-fi thriller The Thing will get special reconsideration this spring with two distinct LP reissues.. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. EFNY is definitely a great one, so varied as you said.And I agree it’s wonderful seeing him get some overdue respect these past few years. The themes that drive them can be stripped to a few coldly repeating notes, take on the electrifying thunder of a rock concert, or submerge themselves into exotic, unholy miasmas. It shares its diverse sonic landscape with Escape From New York, featuring radically different textures and styles: the opening title theme sounds like an alarm clock from hell, and Chariots of Pumpkins oscillating wash of synths adds greatly to its adjacent chase scene. The Dead Walk 10. His pioneering use of synthesizers to create taut hypnotic tension for his iconic horror and sci-fi films gave his work a unique atmospheric signature. The plot tells about a mental patient who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Carpenter is due to release his highly anticipated new album Lost Themes on February 3rd (on Sacred Bones Records). Ich wollte nur dieses und bin sehr froh das ich es hier gefunden habe. And back in the early 80's they sounded utterly contemporary and in tune with the boom in synth pop that was being re-mixed for the dance floor. Account & Lists Account Returns & Orders. Pages in category "John Carpenter soundtracks" The following 17 pages are in this category, out of 17 total. From the legendary film music of John Carpenter’s box office hit “Assault On Precinct 13” from 1976, including the “John Anthony Scratch Mix” and the “Remix” of The End. Unable to add item to List. Carpenter only made two scores for films he didn’t direct himself. There was a language barrier between the composer and director and JC kept telling Morricone “Less notes”. Although Carpenter has worked with various film genres, he is associated most commonly with horror, action, and science fiction films of the 1970s and 1980s.. His electronic score adds to the ethereal chill immensely, from the haunting piano and metronome clicking dread of the title theme to the eerie piano of Tommy Tells of Ghost Ships, and the skull rattling sonic attack of Reel 9. Music Composed and Performed by John Carpenter Recorded at Sound Arts Studio in Los Angeles, CA Recording Engineer – Jim Cypherd Synthesizer programming – Dan Wyman Music Coordinator – Bob Walter Stereo re-mix by Alan Howarth Mixed at Electric Melody Studios, Glendale, CA Record Label: Varèse Sarabande Release Date: 1984 Auf dieser CD befindet sich das 1984 erschiene Album The Music Of John Carpenter , sowie 6 Bonus Tracks. Cemetery 7. 7 Best John Carpenter Soundtracks: in anticipation of Carpenter’s new album ‘Lost Themes’, we take a look back at his most iconic synth-laden film scores. That seasick siren wail reappears front and center on the ominous Sanctuary. Lost Themes II: Distant Dream - Lost Themes II: Angel's Asylum - Lost Themes: Vortex - Lost Themes: Night - Halloween: Halloween Theme – Main Title - The Fog is a soundtrack album composed and performed by John Carpenter, featuring the score to the 1980 film The Fog.It was released in 1984 through Varèse Sarabande.An expanded edition was released in 2000 through Silva Screen Records, containing an extra six tracks not included on the original release (one of them being an interview with Jamie Lee Curtis). Review of: "The End [Scratch Mix] by John Carpenter", Reviewed in the United Kingdom on July 30, 2014, This comes with 2 tracks which are remixes from the famous 1976 film: Assault on Precinct 13 (A quick wiki search reveals the film was called "The End" when it was released in Germany hence the CDs name). BUT: it deserves honorable mention due to Carpenter’s admission he snuck in the dark soundscape Fuchs as well  as Humanity Part 2. Pages in category "John Carpenter soundtracks" The following 17 pages are in this category, out of 17 total. Absolut genial das Stück!!!! His pioneering use of synthesizers to create taut hypnotic tension for his iconic horror and sci-fi films gave his work a unique atmospheric signature. Dead Eyes 5. With record company Death Waltz, Carpenter has reissued many of his classic soundtracks across the past few years; he also recorded the ominous score for David Gordon Green’s 2018 “Halloween” reboot and returned in the same capacity on its upcoming sequels. The themes that drive them can be stripped to a few coldly repeating notes, take on the electrifying thunder of a rock concert, or submerge themselves into exotic, unholy miasmas. He is a film maker who happens to make music for his own films, and that makes him a composer. This list is garbage. Prince may be one of Carpenter’s most polarizing pictures (I love it, for what its worth), but everyone can agree that its one of his most memorable scores, full of Goth pomposity and occult menace, most notable on the main title/end credits and the apocalyptically chilly Bug Man. you know how big this track, had a great influence on other genres. Big Trouble in Little China (soundtrack) Body Bags (soundtrack) C. The Music Of JOHN CARPENTER-Filme ( THE END, DIE KLAPPERSCHLANGE, CHRISTINE) 2) STREETS OF FIRE (A Rock & Roll Fable.) John Carpenter has been responsible for much of the horror genre’s most striking soundtrack work in the fifteen movies he’s both directed and scored. Carpathian Darkness Much has changed in the musical life of renowned composer and director John Carpenter since 2016’s Lost Themes II. Als ich mir 1983 die Vinyl-Maxi gekauft habe war es schon ein Klassiker, jetzt 28 Jahre später (mußte sie mir unbedingt auf CD nochmals kaufen) hat die Maxi noch immer nicht ihren Reiz verloren!!!! From the legendary film music of John Carpenter’s box office hit “Assault On Precinct 13” from 1976, including the “John Anthony Scratch Mix” and the “Remix” of The End. Top subscription boxes – right to your door, © 1996-2021, Amazon.com, Inc. or its affiliates. Cart All. Reviewed in the United Kingdom on July 4, 2016. Glad you enjoyed! 12”x12” twelve page booklet including unreleased behind-the-scenes set photography is included. Mein Exmann hatte die LP und mir hat dieses Lied schon immer gut gefallen so das ich lange gesucht habe nach dieser CD. And lets not forget the Silver Shamrock theme song shall we? Best part John Carpenter in music ! But the most adventurous track has to be Chase Across the 69th Street Bridge, which combines Giorgio Moroder-esque disco synths and Jamaican drum percussion culminating in a piece that’s as tense as it is danceable. Hello Select your address CDs & Vinyl Hello, Sign in. Hello Select your address CDs & Vinyl Hello, Sign in. Assault on Precinct 13 (soundtrack) B. Big Trouble in Little China is a soundtrack produced by John Carpenter for the film of the same name.. With the soundtrack, Carpenter wanted to avoid the usual clichés finding that “other scores for American movies about Chinese characters are basically rinky tink, chop suey music. Village Of The Damned is now expanded featuring extended cues, film versions of the score and the original 1995 soundtrack. Finally available again as a 12 “maxi single! The track Julie, provides a nice counterpoint, with melancholy Rhodes piano that briefly cuts through the tension between gangster attacks. To be clear these tracks are not pulled from the original soundtracks or performed by John Carpenter but are covers or at least interpretations by German electro band 'The Splash Band'. John Carpenter. This list may not reflect recent changes . Assault on Precinct 13 (soundtrack) B. Cart All. Learn how your comment data is processed. It’s his first release not tied to any film project (I’ll have a review up later this week). John Carpenter. Einzeln fand ich sie nie und auf der LP waren mehrere Filmsongs. Bei den Bonus Tracks handelt es sich um die ultrararen Maxi-Versionen vom Philadelphia Experiment, Christine, The End, Die Klapperschlange, Starman und Big Trouble In Little China. Yes I always felt the Creepshow soundtrack was kind of a knockoff of Carpenter’s stuff, so he could’ve made great contributions. 40th Anniversary expanded release of John Carpenter’s The Fog Original Motion Picture Score. That’s the main theme played throughout the film, whose heartbeat percussion and funereal organ inform the dreadful mood of Carpenter’s finest film. This site uses Akismet to reduce spam. John Carpenter’s “Christine” | Light and sound #adabox10 « Adafruit Industries – Makers, hackers, artists, designers and engineers. Skip to main content.us. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to email this to a friend (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Pocket (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Telegram (Opens in new window), Click here for my 2017 interview with John Carpenter, influenced just as many musicians as he has filmmakers, The Grassy Knoll ‘Electric Verdeland, Vol. There are 0 reviews and 0 ratings from the United States, Your recently viewed items and featured recommendations, Select the department you want to search in. Carpenter’s eerie coastal, pirate ghost story is an understated gem full of atmospheric appeal. Forever self-deprecating, he’s downplayed his genius saying he did his own scores because he was fast and cheap, but that unfairly dismisses his unmistakable artistry. Many tracks feature Carpenter’s patented stingers or cattle prods, those sharp electronic jabs meant to evoke jump scares.
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